brucekluger.com

    Us Weekly, 2001

    Home Video & DVD Reviews: 2001 (F through M)
    (See A-E, N-S, T-Z)

    By Bruce Kluger


    The Family Man: Wall Street hotshot and inveterate bachelor Nicolas Cage finds
    himself drowning in domestic bliss when a meddlesome angel (Don Cheadle)
    transports him to the life that could have been with his college flame (Tea Leoni).
    Cage delights as the beleaguered homebody lost in a land of car pools and
    diapers. PG-13 rating; 126 minutes (Universal)

    The Fast and the Furious: An L.A. undercover cop infiltrates a gang of rogue
    road racers in an effort to bust up a ring of bad-ass highway hijackers that prey on
    big-rig cargoes. Vin Diesel burns rubber in this low-brow, high-octane actioner
    whose chase scenes continue to thrill long after the story runs out of gas. PG-13;
    107 minutes (Universal)

    Final Fantasy: Among the extras on this deluxe double-disk edition of Hironobu
    Sakaguchi’s landmark earthlings-versus-aliens saga (hyped as the first film ever to
    star an all-computer-generated cast) are an alternate opening sequence, an
    interactive making-of featurette, special effects “workshops,” re-editing capabilities,
    and a batch of goodies for your PC. Have fun. PG-13 (Columbia TriStar)

    Finding Forrester: Sean Connery is a former literary star-turned-Salingeresque
    hermit who enlightens an inner-city hoopster (Jamal Wallace) to the magic of prose.
    Director Gus Van Sant’s Pygmalion-like fable skillfully bounces from urbane to hip-
    hop to two-hanky tearjerker. F. Murray Abraham co-stars as a stuffed-shirt
    academic. PG-13; 136 minutes (Columbia TriStar)

    From Here to Eternity (1953): Christmas in Hawaii, anyone? The DVD edition of
    Fred Zinnemann’s Oscar-winning WWII chestnut—starring Burt Lancaster and
    Deborah Kerr—includes making-of featurettes and commentary galore. The
    mistletoe moment: that kiss on the beach. (Columbia TriStar)

    Gandhi: In addition to the usual extras, the long-awaited DVD release of Richard
    Attenborough’s 1982 Oscar-winning epic about the spiritual leader of India features
    vintage newsreel footage, including clips of Gandhi’s visit to England, film coverage
    of his historical fast, and the first-ever talking pictures of the Mahatma. Also on disk:
    commentary by Ben Kingsley. PG (Columbia TriStar)

    The Gift: Cate Blanchett is a small town widow whose talents as a card-reading
    clairvoyant are tapped by local lawmen investigating a socialite’s murder. Blanchett
    lends fresh urgency to a familiar story, as Keanu Reeves oozes evil as the cops’
    prime suspect. Co-written by Billy Bob Thornton. R; 111 minutes (Paramount)

    Girlfight: Writer-director Karyn Kusama scores a decisive K.O. with her edgy
    portrait of a Bronx high school girl whose unchecked rage and stubborn sense of
    justice lands her in the boxing ring. Newcomer Michelle Rodriguez goes the
    distance as the angry young woman with the serious hook. R; 110 minutes
    (Columbia TriStar)

    Glory: Audio commentary by director Edward Zwick, featurette, deleted scenes. R
    (Columbia TriStar)

    The Godfather: Arguably the year’s most coveted DVD package, this daunting five-
    disk compilation of Francis Ford Coppola’s Corleone crime family saga includes all
    three theatrical features, as well as a 73-minute behind-the-camera chronicle,
    additional scenes, screen tests, insights by Coppola and, for those who still can’t
    follow along, a “Corleone Family Tree.” A keeper for collectors. R (Paramount)

    The Good Sex Guide: You’ve heard of Christmas cookies—but Christmas nookie?
    This two-disk, between-the-sheets instructional is designed for parental play after
    the kids are all snug in their beds. A sizzling, soft-core hit from Brit TV, it’s both
    naughty and nice. (BFS)

    The Great Gatsby: Mira Sorvino and Toby Stevens headline this uneven but
    likeable retelling of Fitzgerald’s saga of passion and destiny set against the
    backdrop of Jazz Era high society. Like Redford’s 1974 stab, its grandeur and
    opulence often drown out the story’s soul. Still, it’s worth a look, notably for
    Sorvino's spot-on spin as the irrepressible Daisy. Paul Rudd co-stars. NR; 100
    minutes (A&E)

    Hamlet: To rent or not to rent. Director Michael Almereyda’s modern-day spin on
    Shakespeare’s twisted soap opera stars Ethan Hawke as the tortured dreamer,
    here a young filmmaker suffering the slings and arrows of corporate intrigue—and
    a seriously dysfunctional family. Inventively conceived, with the famous soliloquy
    delivered in Bard-worthy fashion. R; 111 minutes (Miramax)

    Hannibal: You loved Silence of the Lambs? Skip this monstrosity. Despite its $100
    million-plus box office, Anthony Hopkins’ dumbed-down sequel to his chilling 1991
    serial-murder thriller is everything the earlier movie wasn’t: predictable, overblown
    and gratuitously violent (stir-fried brains, anyone?). Julianne Moore and Ray Liotta
    share in the scenery-noshing. R; 131 minutes (MGM)

    Head Over Heels: Museum art restorer Monica Potter goes ga-ga over fashion
    exec Freddie Prinze, Jr., only to discover he may be…a murderer? Chaos ensues,
    highlighted by clumsy supermodels, Russian mobsters and a climactic shootout at a
    runway show. Mindless piffle, to be sure, but the reliably charming Prinze manages
    to keep it afloat. PG-13; 87 minutes (Universal)

    Hedwig and the Angry Inch: Did someone say Oscar? Writer-director-star John
    Cameron Mitchell soars as a gender-bending, East Berlin glam-rocker—and victim
    of a clumsy scalpel—who embarks on a pop-punk, psycho-erotic world tour in
    search of spiritual fulfillment and his/her wayward man-child protégé. Brilliantly
    adapted from the off-Broadway hit, it features a heart-wrenching score by Stephen
    Trask. R; 91 minutes (New Line)

    The Holiday Classics: Call them your father’s Christmas specials. This DVD boxed-
    set of Rankin/Bass faves Rudolph the Red-Nosed Reindeer, Frosty the Snowman
    and Santa Claus is Coming to Town is a glorious nod to the simple joys of the pre-
    Pixar eraand a downright delightful déjà-vu. (Golden Books)

    The Howdy Doody Show: Sixteen shows in four volumes, including the 1957
    Easter Special and the final broadcast on 9/24/60. NR; $14.99 each (Image)

    The Ice Rink: Jean-Philippe Toussaint’s charming movie-biz send-up zooms in on
    the harried director of a skating rink romance, as he copes with his sexed-up starlet
    (Dolores Chaplin—Charlie’s granddaughter), his klutzy crew, a panicky producer
    and the entire Lithuanian National Hockey Team. In French, with subtitles. NR; 80
    minutes (Kino)

    I’m the One That I Want: Korean-American comic Margaret Cho’s live-audience,
    stand-up rendition of her sassy memoir extracts laughs from life’s hard knocks,
    including skewed spins on sexual discrimination, eating disorders and the notoriety
    of tanking in a sitcom. Cho starts slow, then picks up steam—especially when she
    rags on her bewildered mom. NR; 96 minutes (Winstar)

    In the Line of Fire: Wolfgang Petersen’s taut 1993 thriller about a haunted Secret
    Service agent (Clint Eastwood) trying to protect the President from a crazed
    assassin (John Malkovich) gets historical perspective from four separate featurettes
    that go behind the scenes at the real-life Agency. Also included: commentary from
    Petersen and deleted scenes. R (Columbia TriStar)

    Into the Arms of Strangers: During the run-up to WWII, more than 10,000
    children were saved from Nazi atrocities by a rescue operation called the
    Kindertransport. The DVD edition of Mark Jonathan Harris’ Oscar-winning chronicle
    of these efforts includes bonus interviews with survivors, historical artifacts, photo
    galleries and DVD-Rom access to an online study guide. Judi Dench narrates. PG
    (Warner)

    The Invisible Circus: 1977: Seven years after the mysterious death of her sister
    (Cameron Diaz) while traveling overseas, San Franciscan teen Jordana Brewster
    embarks for Europe, retracing her sib’s steps, using postcards as her road map.
    Alas, the payoff doesn’t live up to the heavy panting that precedes it, though Diaz
    generates sparks as the wild-eyed Seventies free spirit. R; 93 minutes (New Line)

    It (1927): Before there was Julia Roberts, Hollywood gave us Clara Bow, the
    stunning and scrappy flapper whose turn here as a spirited lingerie saleswoman
    redefined the role of leading lady and earned her the title of “The It Girl.” Co-
    directed (without credit) by Josef von Sternberg, the film includes a bonus
    documentary that retells the story of Clara’s rocket ride to stardom. NR (Kino)

    It’s a Wonderful Life/Miracle on 34th Street: One is a valentine to the human
    spirit, the other a sweet Santa saga—packaged together, they’re the perfect
    double-bill for Xmas eve at the VCR. Jimmy Stewart and Natalie Wood soar and
    charm, respectively. (Fox)

    Joe Dirt: Cow farts, doody bombs and a man-eating alligator populate this
    hopelessly dim tale of a cracked-skulled, mullet-haired, white-trash janitor (David
    Spade) roaming the globe in search of his parents, who abandoned him in a Grand
    Canyon trashcan at the age of eight. The film was co-executive produced by Adam
    Sandler. There’s a surprise. PG-13; 91 minutes (Columbia TriStar)

    John Carpenter’s Ghosts of Mars: Martial arts mayhem and high-noon shoot-
    outs juice up this futuristic tale of a mining colony on the Red Planet, in which
    escaped killer Ice Cube and cosmos cop Natasha Henstridge battle deadly Martian
    specters bent on possessing human interlopers. Out of this world? No. But it still
    beats Mission to Mars by a light year. R; 98 minutes (Columbia TriStar)

    The Judy Garland Show, Volume Five: The latest batch from Judy’s popular
    Sixties TV series includes the legendary appearance by newcomer Barbara
    Streisand (pre-Funny Girl), whose awesome duets with Garland (e.g., “Get
    Happy/Happy Days Are Here Again”) are soured only when “surprise guest” Ethel
    Merman tries like hell to upstage them. Donald O’Connor and the Smothers
    Brothers also check in. NR (Pioneer)

    Jurassic Park III: The plot’s the same as the first two installments (e.g., clueless
    scientists dodge dinos and learn their lesson) but the DVD edition of the new raptor
    romp has bite, with a making-of featurette, 3-D portraits of the film’s featured
    creatures, and a visit to a real Montana dinosaur dig with paleontologist Jack
    Horner. Sam Neill and Téa Leoni star. PG-13, $27 (Universal)

    Just Judy: Among the beauts belted out on this 28-song DVD medley from Judy
    Garland’s landmark TV series is "Over the Rainbow," as performed by the divine
    Miss G on her 1963 Christmas show. The ideal stocking-stuffer for nostalgic moms
    and gay men. (Pioneer/Classic World)

    The Kid: Successful but socially dysfunctional image consultant Bruce Willis trips
    on a time warp, befriending the eight-year-old version of himself (Spencer Breslin)
    who teaches him how to play nice—and vice versa. Not as whimsical as Big, but just
    as engaging, it’s proof once more that Willis is as limber with comedy as he is with
    car chases. Lily Tomlin co-stars. PG; 104 minutes (Disney)

    The Ladies Man: Tim Meadows stretches his skanky radio-sexpert sketch
    character from SNL into a high-octane, low-brow tour-de-force in this feature-length
    homage to the perpetually horny. If you think you’re immune to endless booty gags,
    just wait till the scene with the nun. Will Ferrell and Billy Dee Williams check in. R;
    84 minutes (Paramount)

    Lady and the Tramp II: Scamp’s Adventure: No dead-horse beating here. This
    charming follow-up to Walt’s 1955 mutt-meets-bitch classic finds the still fetching
    pair of pooches married with pups, the youngest of which has itchy paws and sets
    off to see the world. Truly delightful—but, ah, where was the noodle kiss? Alyssa
    Milano and Scott Wolf provide the voices. G; 70 minutes (Disney)

    Lara Croft: Tomb Raider: Call her Indiana Jones with a great rack. Rough-and-
    buff Angelina Jolie is a refined rich Brit turned bunjee-jumping crypt-comber,
    bounding the globe in search of an ancient amulet that can reverse the hands of
    time. No ground-breaking cinema here—just one long, effects-laden video game,
    occasionally enlivened by a juiced-up Jolie. PG-13; 101 minutes (Paramount)

    The Last of the Blue Devils (1979): Bruce Ricker’s swinging chronicle of the
    1974 reunion of Kansas City music legends Count Basie, Big Joe Turner and Jay
    McShann includes a roof-raising rendition of Basie’s signature “One O’Clock Jump”
    and an electrifying Turner-McShann interpretation of “Shake, Rattle and Roll.” Also
    on disk: audio commentary, outtakes and additional songs. NR (Kino)

    Left Luggage: A standout at the 1998 Berlin Film Fest, this thoughtful exploration
    of cultural identity follows the spiritual journey of a young Jewish nanny caring for a
    retarded child in a Hassidic household, and her struggle to embrace her own
    heritage. Isabella Rossellini and Maximilian Schell star. NR; 100 minutes (Fox
    Lorber)

    Legally Blonde: Reese Witherspoon headlines this witless, overly teased tale of a
    vapid (but smart!) sorority girl who enrolls at Harvard Law School to win back to boy
    who dumped her. Alas, like the stereotypical ditz it seeks to debunk, the story is just
    plain dumb—though Reese’s pieces of it are, admittedly, fun to watch. PG-13; 95
    minutes (MGM)

    The Legend of Bagger Vance: Golf great-turned-drifter Matt Damon is reborn on
    the lush greens of Savannah fairway heiress (and former flame) Charlize Theron,
    thanks to the spiritual coaching of mystery caddy Will Smith. Director Robert
    Redford drapes the links-as-life allegory—oddly rejected by the critics—with
    trademark grace and beauty. PG-13; 127 minutes (DreamWorks)

    Little Nicky: As the heavy metal-headbanging youngest son of the Devil, Adam
    Sandler rises from Hell to track down his evil older brothers, who are bent on
    corrupting New York (lotsa luck). Fans of Sandler’s goofy voices and adolescent
    antics won’t be disappointed: this ain’t what you call brain-candy. Harvey Keitel is
    Satan. PG-13; 84 minutes (New Line)

    The Little Vampire: Move over Anne Rice. This tangy confection stars Jonathan
    Lipnicki (Jerry Maguire) as a little boy uprooted to Scotland, where he befriends a
    family of the undead. It’s sweet stuff without the syrup, though some scenes may
    have a bit too much bite for the pre-school set. PG; 94 minutes (New Line)

    Live Nude Girls Unite!: Feminism bumps up against the bump-and-grind in this
    award-winning chronicle of a San Francisco labor dispute, in which local strippers
    protest salary reductions, exploitation by porn websites and employee favoritism
    based on breast size. A fascinating behind-the-curtains peek and film fest fave that
    boasts plenty of body- and soul-baring. NR; 70 minutes (First Run)

    Lucky Numbers: John Travolta plays a dim local weatherman who schemes with
    his station’s trampy lotto ball girl (Lisa Kudrow) to fix the state lottery—in their favor.
    Mob shenanigans and gratuitous murders bog down an otherwise fresh idea,
    though Kudrow hits the jackpot as the embodiment of white trash. R; 105 minutes
    (Paramount)

    The Luzhin Defence: Pinballing from chain-smoking madman to glassy-eyed
    zombie, John Turturro captivates as a chess genius who, socked away at an Italian
    resort for a national championship, falls for a Russian socialite (Emily Watson).
    Director Marleen Gorris plots her story with gameboard precision, and the stars
    couldn’t be better. Based on Nabokov’s novel. PG-13; 106 minutes (Columbia
    TriStar)

    Made: Swingers Jon Favreau and Vince Vaughn return, this time as a pair of
    bickering West Coast wannabes, hired by mob boss Peter Falk to run a dicey
    errand in NYC. Favreau’s script (he also directed) is riotous mishmash of mishaps,
    and Sean Combs shines as the Gotham gangster saddled with the boneheaded
    bag boys. Famke Janssen co-stars. R; 95 minutes (Artisan)

    The Magnificent Seven (1960): Based on Akira Kurasawa’s The Seven Samurai
    (1954), John Sturgess’ sharpshooting tale of a band of gunfighters who defend a
    Mexican village is the quintessential oater, with trigger-happy action and memorably
    rugged performances by, among others, Yul Brenner, Eli Wallach, Steve McQueen
    and Charles Bronson. The disk includes a new making-of documentary, audio
    commentary, photo gallery and collectible souvenir booklet. NR (MGM)

    Malèna: Sicily, WWII: Monica Bellucci electrifies as a sullen but sultry war widow
    whose daily strolls through town square incite gossip among villagers and
    unchecked adoration from a 13-year-old boy. Oscar nominations went to Lajos
    Koltai’s sensual cinematography, and the rapturous score of Ennio Morricone.
    Directed by Giuseppe Tornatore (Cinema Paradiso). R; 92 minutes (Miramax)

    The Matrix: Revisited: The sequels aren’t due for years. Until then, this DVD
    encyclopedia of all things Matrix should tide fans over, with new scenes from the
    original 1999 blockbuster, behind-the-camera footage, updated commentary,
    background on the movie’s fight choreography and Oscar-winning effects, and a
    preview of an anime project based on the film. Franchise, anybody? NR (Warner)

    Me, Myself & Irene: Gross-out masters Peter and Bobby Farrelly (There’s
    Something About Mary) return with the warped tale of a state trooper whose Jekyll-
    Hyde personality disorder lands him in hot water with corrupt cops and in bed with
    fetching fugitive Renee Zellweger. More scatological than a bathroom wall at Grand
    Central, it takes pot shots at dwarfs, albinos, Mensa members and cows. R; 117
    minutes (Fox)

    Meet Joe Black: If at first you get bum reviews, try DVD. This two-disk edition of
    Martin Brest’s dubiously received 1998 grim reaper love story (starring Brad Pitt)
    loads up on bonus material, including script-to-scene capabilities, a photo gallery
    and the full-length 1934 feature film, Death Takes a Holiday, starring Fredric
    March, on which Joe Black was based. (Universal)

    Meet the Parents: Ben Stiller defines exasperation as a male nurse whose trip
    home to meet his girlfriend’s folks has one snag: her Dad (Robert DeNiro) despises
    him. Slapstick abounds—from peeing cats to burning backyards—as Stiller and
    DeNiro pull off the funniest on-screen pairing since Felix and Oscar. PG-13; 108
    minutes (Universal)

    Men of Honor: Cuba Gooding, Jr. stars as Carl Brashear, who took on military
    racism and a tyrannical commanding officer to become the first black American
    diver in the U.S. Navy. Director George Tillman, Jr. (Soul Food) plumbs the depths
    of melodrama with bends-inducing results, though Cuba and Bob have some nice
    fiery face-offs. R; 129 minutes (Fox)

    The Mexican: The DVD release of Gore Verbinski’s bumpy comedy—about a
    bumbling bagman (Brad Pitt) juggling his south-of-the-border assignment,
    unforgiving mob boss and high-maintenance girlfriend (Julia Roberts)—features
    deleted footage, including a wedding vignette and additional scenes with Roberts
    and sensitive hit man James Gandolfini, which is easily the film’s funniest
    relationship. R (DreamWorks)

    Miss Congeniality: To infiltrate a beauty contest in search of a mad bomber, ill-
    mannered FBI agent Sandra Bullock must undergo a Pygmalion-like transformation.
    Nice try. Sandra’s toned gams notwithstanding, the cardboard characters and
    implausible plot twists keep this mindless dud off the winner’s ramp. Candice
    Bergen, as the scheming pageant director, logs in perhaps the stupidest role of her
    career. PG-13; 109 minutes (Warner)

    Moulin Rouge: Nicole Kidman electrifies as the scarlet-maned main attraction at
    the notorious Parisian cabaret, plying her talents—all of them—in pursuit of amour.
    Alas, director Baz Luhrmann’s frantically paced, pop-operatic dance spectacle is
    more soufflé than cassoulet—but who cares? Nicole is magnifique. Ewan McGregor
    and John Leguizamo co-star. PG-13; 97 minutes (Fox)

    The Mummy Returns: Ten years after their first blockbusting romp, beautiful bone-
    diggers Brendan Fraser and Rachael Weisz tangle anew with the testy spirit of an
    ancient Egyptian priest, while trying to rescue their whip-smart nine-year-old son.
    Once again, the plot’s skeletal, but the effects are mind-blowing. WWF star “The
    Rock” cameos as the dreaded Scorprion King. PG-13; 130 minutes (Universal)

    The Mummy Ultimate Edition: The special-edition DVD of the 1999 tombs-and-
    treasure adventure story (starring Brendan Fraser and Rachel Weisz) beefs up an
    otherwise ho-hum offering with storyboards, a photo gallery, script-to-scene
    capability (first you read it, then you watch it) and a peek back at the real-life
    pharaohs. The disk also includes a mummy game for the PC. (Universal)

    A Muppet Family Christmas: At last on DVD, Jim Henson’s 1987 TV special is a
    Yuletide free-for-all, featuring visits by fuzzy frolickers from Fraggle Rock and
    Sesame Street. Trivia buffs take note: An early Elmo appears in the background,
    but doesn’t speak. (Columbia TriStar)


    (See Bruce Kluger's 2001 Us Weekly video/DVD reviews, A-E, N-S, T-Z)



)