In Election '08, is there a place for gay rights?
By Bruce Kluger
L Word, Showtime's lipstick lesbian soap
opera, the character of Tasha has a crisis.
Black, beautiful and enlisted in the Army
National Guard, Tasha is accused of violating
the Pentagon's “Don't Ask, Don't Tell" policy,
which forbids gay military personnel from
revealing their sexual orientation, or face
Alice. Angry at a government she wants to serve and ashamed at being victimized
by a policy her girlfriend finds abhorrent, Tasha keeps her thoughts to herself and,
instead, pushes Alice against the wall, tears off her clothes and…well, you get the
Only on American TV could a knotty policy issue be upstaged by a really hot sex
In the 15 years since President Clinton approved the provocative "Don't Ask, Don't
Tell" plan, the social stigma often tagged to homosexuality has, in many cases,
dropped away like molting feathers. Cultural entertainments have helped fuel this
transformation, incorporating gay themes into their content in an easier, breezier
Will & Grace and Ellen (arguably the godparents of the "gay sitcom") exploded onto
TV screens in the mid-'90s, followed soon by Queer Eye for the Straight Guy, a
reality show that used gay sensibilities as a hip prism through which to examine
fashion trends and romance (as well as the general slovenliness of hetero men).
The edgier Queer as Folk and The L Word came next, proving to viewers that the
trials, trysts and truths of gay relationships weren't all that different from straight
ones. And more recently, gay roles have increasingly popped up on the big
screen—such as Steve Carell's hilariously tortured Proust scholar in Little Miss
Sunshine—not so much for an exploration of their sexuality as for what their
characters lend to the story.
Yet this significant step forward carries with it a liability: As entertainment executives
conscientiously work to bring the gay experience into the mainstream in a non-
political way, they also run the risk of neglecting the real-life struggles gays
continue to face.
In January alone, courtrooms nationwide were buzzing with cases concerning basic
civil rights protection for homosexuals. Gay marriage, meanwhile, a successful
wedge issue in the 2004 elections, has become a non-issue in 2008, an ironic
defeat for gay activists left staring at constitutional amendments banning same-sex
wedlock in 26 states.
And, yes, “Don't Ask, Don't Tell” continues to inflame defenders of free speech
everywhere—gay and straight alike.
According to a 60 Minutes investigation in December, “Don't Ask Don't Tell” has
shoved more than 12,000 members of the armed forces from their ranks, even as
polls reveal that three-quarters of Americans believe that openly gay men and
women should be permitted to serve in the military.
Despite such overwhelming numbers, the hard-charging candidates currently
seeking the presidency have barely touched on the subject, focusing instead on
such poll-tested topics as the economy, immigration and the war in Iraq. (No
surprise there. Why tackle a "fringe issue" when there are masses to rally?)
Which is why, libidinous eye candy notwithstanding, it is heartening to see The L
Word march up to "Don't Ask, Don't Tell" in this season's storyline. Like other TV
fare that dares to zoom in on real-life injustices, it is exercising its conscience.
"I believe that Americans really do care about 'Don't Ask, Don't Tell,' even if it's not
at the top of their candidate issues checklists," the series' creator and executive
producer, Ilene Chaiken, told me by e-mail. "We went with the storyline because the
subject touches on gay issues in the broadest sense—issues of equality and
Yesterday’s Super Tuesday turnout reaffirms that America is once again ready for
a national conversation. Let's just hope that discussion includes gay citizens, too. It
would be nice to see Tasha, among others, live happily ever after.